Plate 406. Heritage.
In the original watercolor, the swan’s head was turned back, so the full-size bird could fit the paper. The engraving adds a floating moth, which, as a potential tidbit, explains the swan’s twisted pose, making it more natural.
“To form a perfect conception of the beauty and elegance of these Swans, you must observe them when they are not aware of your proximity, and as they glide over the waters of some secluded inland pond. On such occasions, the neck, which at other times is held stiffly upright, moves in graceful curves, now bent forward, now inclined backwards over the body. Now with an extended scooping movement the head becomes immersed for a moment, and with a sudden effort a flood of water is thrown over the back and wings, when it is seen rolling off in sparkling globules, like so many large pearls. The bird then shakes its wings, beats the water, and as if giddy with delight shoots away, gliding over and beneath the surface of the liquid element with surprising agility and grace. Imagine, reader, that a flock of fifty Swans are thus sporting before you, as they have more than once been in my sight, and you will feel, as I have felt, more happy and void of care than I can describe.” (Audubon)
